GRE寫作部分將重點考察考生有針對性地對具體考題做出反應(yīng)的能力,而非要求考生堆砌泛泛的文字。具體說來,這些重點關(guān)注的能力包括:1、 清楚有效地闡明復雜觀點;2、 用貼切的事理和事例支撐觀點;3、考察/驗證他人論點及其相關(guān)論證;4、支撐一個有針對性的連貫的討論;5、控制標準書面英語的各個要素。寫作部分將聯(lián)合考察邏輯推理和分析寫作兩種技能,并且將加大力度引進那些需要考生做出有針對性的回應(yīng)的考題,降低考生依賴事前準備(如背誦)的材料的可能性。
gre argument 56 詳解
[題目]
56.Collectors prize the ancient life-size clay statues of human figures made on Kali Island but have long wondered how the Kalinese artists were able to depict bodies with such realistic precision. Since archeologists have recently discovered molds of human heads and hands on Kali, we can now conclude that the ancient Kalinese artists used molds of actual bodies, not sculpting tools and techniques, to create these statues. This discovery explains why Kalinese miniature statues were abstract and entirely different in style: molds could only be used for life-size sculptures. It also explains why few ancient Kalinese sculpting tools have been found. In light of this development, collectors should expect the life-size sculptures to decrease in value and the miniatures to increase in value.
[翻譯]
收藏家很欣賞Kali島出產(chǎn)的古代等身泥土雕像,但長期以來不清楚Kali的藝術(shù)家如何能夠以如此高的精確度刻畫人體。由于考古學家最近在Kali發(fā)現(xiàn)了人類頭部和手的模具,我們現(xiàn)在可以得出結(jié)論:古代Kali藝術(shù)家使用真人的模子,而不是雕刻工具和技藝來塑造這些雕像。這一發(fā)現(xiàn)解釋了為什么Kali的縮微雕像是抽象的而且風格迥異:模子只能被用于等身雕像。它同樣也解釋了為什么很少發(fā)現(xiàn)Kali的雕刻工具。由于有了這一研究進展,收藏家應(yīng)預(yù)見到等身雕像的貶值以及縮微雕像的升值。
[題目分析]
結(jié)論很明顯:In light of this development, collectors should expect the life-size sculptures to decrease in value and the miniatures to increase in value.由于有了這一研究進展,收藏家應(yīng)預(yù)見到等身雕像的貶值以及縮微雕像的升值。
稍微注意的是,希望大家上考場以后不要緊張到把we can now conclude that作為結(jié)論就行。
第一句話,這里只是一個引子。高精度等身人體雕像。
第二句話,前提1和推論1。
第三句話,論據(jù)1和推論2。
第四句話,論據(jù)2。
第五句話,結(jié)論。
[邏輯關(guān)系]
(前提1)發(fā)現(xiàn)了人類頭部和手的模具——〉(推論1)使用真人模型和不使用雕刻工具。
(論據(jù)1)等身雕像和縮微雕像風格迥異——〉(推論2)模子只能用于等身雕像。
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gre argument 56 詳解
[題目]
56.Collectors prize the ancient life-size clay statues of human figures made on Kali Island but have long wondered how the Kalinese artists were able to depict bodies with such realistic precision. Since archeologists have recently discovered molds of human heads and hands on Kali, we can now conclude that the ancient Kalinese artists used molds of actual bodies, not sculpting tools and techniques, to create these statues. This discovery explains why Kalinese miniature statues were abstract and entirely different in style: molds could only be used for life-size sculptures. It also explains why few ancient Kalinese sculpting tools have been found. In light of this development, collectors should expect the life-size sculptures to decrease in value and the miniatures to increase in value.
[翻譯]
收藏家很欣賞Kali島出產(chǎn)的古代等身泥土雕像,但長期以來不清楚Kali的藝術(shù)家如何能夠以如此高的精確度刻畫人體。由于考古學家最近在Kali發(fā)現(xiàn)了人類頭部和手的模具,我們現(xiàn)在可以得出結(jié)論:古代Kali藝術(shù)家使用真人的模子,而不是雕刻工具和技藝來塑造這些雕像。這一發(fā)現(xiàn)解釋了為什么Kali的縮微雕像是抽象的而且風格迥異:模子只能被用于等身雕像。它同樣也解釋了為什么很少發(fā)現(xiàn)Kali的雕刻工具。由于有了這一研究進展,收藏家應(yīng)預(yù)見到等身雕像的貶值以及縮微雕像的升值。
[題目分析]
結(jié)論很明顯:In light of this development, collectors should expect the life-size sculptures to decrease in value and the miniatures to increase in value.由于有了這一研究進展,收藏家應(yīng)預(yù)見到等身雕像的貶值以及縮微雕像的升值。
稍微注意的是,希望大家上考場以后不要緊張到把we can now conclude that作為結(jié)論就行。
第一句話,這里只是一個引子。高精度等身人體雕像。
第二句話,前提1和推論1。
第三句話,論據(jù)1和推論2。
第四句話,論據(jù)2。
第五句話,結(jié)論。
[邏輯關(guān)系]
(前提1)發(fā)現(xiàn)了人類頭部和手的模具——〉(推論1)使用真人模型和不使用雕刻工具。
(論據(jù)1)等身雕像和縮微雕像風格迥異——〉(推論2)模子只能用于等身雕像。
感謝您閱讀《argument56詳解 》一文,出國留學網(wǎng)(liuxue86.com)編輯部希望本文能幫助到您。